Sacha

Continuity mistake: From the back of the plane, the sick girl's plastic tube is hanging from the right side of the plane, in close shots it is right at the middle of her seat. (00:31:10)

Sacha ★

Continuity mistake: On the beach, Elaine's hair is semi-wet and fluffy on close shots but soaked and straight in wide ones, and Striker's hair changes to soaked and messy, with two bits of hair sticking out, to wet but not messy. (00:23:50)

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Revealing mistake: When the girl scouts are fighting, the pad on one of the girl's back to protect her when falling is visible beneath her shirt. (00:16:40)

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The New Person - S1-E10

Continuity mistake: When Angela is questioning Mrs. Fisher during lunch time, the position of her hand and the fork differ between front and back shots.

Sacha ★

Continuity mistake: Right when the movie begins, a machine opens a dog food can and then pours it in the dog's bowl. When pouring the food, the can isn't moved around at all, but after the food drops, the label is missing a piece. (00:02:25)

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Continuity mistake: When Marty's been thrown back by the amp, the papers on top of him change between the first and second shot. Precisely a Polaroid photo, a poster/map and a vase are missing. (00:04:20)

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Continuity mistake: In the hotel bedroom, during the fireworks night, when Grace Kelly calls Cary Grant, "Robbie," his arm is bent towards his chest, but in the immediate wide shot it's straight and he then bends it.

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Brotherhood - S1-E7

Visible crew/equipment: Nate is sunbathing and a white screen from lighting equipment is reflected on his sunglasses. When the shot changes to show what's in front of him, the screen is not visible.

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Continuity mistake: When Matrix jumps inside the house to protect the girl from the shootings, the blood stain on his forehead suddenly disappears. (00:12:00)

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Continuity mistake: Before Griff shows up in the cafe, the Pepsi bottle's label is facing the counter. A second later, when Griff appears, the label is facing the door. (00:14:47)

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Continuity mistake: In the Café 80's, when Griff is about to bat Marty, a woman in a blue dress passes behind Marty twice. She is also seen walking around in the next scenes that take place outside.

Sacha ★

Continuity mistake: When Gramps is knocking Marty with his cane, right after he cries "Mr. Loooseer.", he puts his cane in his right hand, but a split second later it's seen in his left hand. (00:14:09)

Sacha ★

Continuity mistake: When Marty gets out of the water after jumping from the hoover board, the board is a bit far from him. In the next shot it is right next to him, to help him pick it up and leave.

Sacha ★

Continuity mistake: When Marty is in the Café 80's, there are two men talking outside on the street. Shot changes and when we go back to Marty, a second later, the two men have vanished.

Sacha ★

Continuity mistake: When Marty's on the hover board on the lake, watch the Clock tower's entrance behind him: Depending on if it's a wide, medium or side shot, the number of guards change from one to two, or one that runs away but suddenly appears back in place.

Sacha ★

Continuity mistake: In 1985A, when the punks fire at Strickland, there's a red flower in the pot closer to Marty. There's a first bang, angle changes and the flower has disappeared. If the bang had hit the flower Marty would've been injured, for he was behind it.

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Familia - S1-E4

Visible crew/equipment: White screens used for lighting are reflected on Brenda's sunglasses when she exits the Fishers's door.

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Escape from new york - S3-E13

Continuity mistake: When Carrie gets to the WB Studios and stops at the guard's place, the image alternates between close and wide shots. The cars and people surrounding Carrie are totally different depending on the shot.

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Escape from new york - S3-E13

Continuity mistake: Carrie is trying to drive a car up a hill and a grey car drives close to them very slowly. When the car is side by side to Carrie, the shot changes to a wide angle and the grey car has vanished.

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Easy come, easy go - S3-E9

Continuity mistake: The people walking behind Trey and Charlotte close to Tiffany's is totally different in the side angle, than in the front shot - check out the African-American woman, for example.

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