Other: Based on the location of the barber's chair with the picture window in Todd's barber shop and the layout of the exterior of the building, there is no possible way that the chute behind the chair would be able to dump the bodies directly into the basement without going through the center of Ms. Lovett's shop.

Continuity: Pirelli throws his cape and it leans smooothly on the seating part. From the wide angle, half a secnd later, it is wrinkled on the seating part.

Continuity: Nearing the end of the song "Pretty Women," Sweeney is bringing his razor closer and closer to the Judge's neck (right around the line "proof of heaven as you're living"). At one point, he brings the razor right up against to the Judge's neck. In the next shot, the razor is a few inches away from the neck. In the shot following that, the razor is back up against the skin.

Continuity: While Sweeney is upstairs with Pirelli, Mrs. Lovett gives Toby a meatpie downstairs. On a closeup, half the pie is gone, but when the shot widens right after, only a couple nibbles are gone from the cake.

Continuity: In the scene where Todd attacks Pirelli with the teakettle, he first swings it from the right to left, then you see Todd for a split second swing it in a downward motion, but Pirelli's head moves up as if Todd just swung it in an uppercut motion.

Continuity: In the scene where Mrs. Lovett has given Sweeney a glass of gin (when they are deciding what to do with the bodies) he takes a large swig and another smaller one and the gin is nearly gone. When it cuts away to Mrs. Lovett and back to Sweeney, the glass is full again and there was no sound of another glass being poured.

Continuity: In the scene where Sweeney Todd and Mrs. Lovett are dancing in her storefront (after they finalize their plan of what to do with the bodies), Depp is holding a butcher's cleaver in one hand. In the wide shots of them dancing, the cleaver is noticeably lower than in the close ups, where the cleaver appears to be at the level of Mrs. Lovett's shoulder.

Continuity: When Anthony first arrives at Judge Turpin's house, he sits on the bench across the street. This bench is positioned on the sidewalk between the iron gate's two large stone pillars. During this scene, the position of the actual bench changes, moving noticeably closer to either the left or right pillar, depending on the given camera angle.

Continuity: While Anthony sings "I feel you", the passersby behind have no continuity whatsoever.

Continuity: During "The worst pies in London scene" the wooden rolling pin keeps moving around between shots.

Continuity: The blood on the window, when Sweeney kills Turpin, keeps appearing and disappearing all the time.

Continuity: While Pirelli sings "He take the", after a shot on Sweeney's blade, Pirelli's hand swaps from being on the man's forehead to the chin.

Continuity: The way Toby holds the elixir bottle while the baldie is rubbing it on his head changes in a split second from angle to angle.

Continuity: When Todd is first shaving Judge Turpin, he places the barber's brush in the shaving mug twice - once before he turns away from the barber's chair, and again in the next scene as we see him move toward the camera.

Continuity: At the end of the "I feel yuo" scene, Anthony walks with his face covered in blood. The hair around his forehead covers at first, and suddenly it doesn't.

Continuity: When Sweeney is showing Mrs. Lovett the razors right before they start singing, he pulls one out and opens it out straight. He stands up and the blade is still straight. It cuts to a closer shot, and the razor is at a noticeably different angle, then it goes back out to a full shot and the razor is straight out again.

Continuity: While Sweeney sings "I'll Never See Johanna," Ms. Lovett is sitting on the chair with him behind. In the close-ups, they're close together; in the wide angles there's a big space between them.

Continuity: When Sweeney kills Turpin, his forehead is covered in blood. Half a second later there's just a tiny spot.

Continuity: Toby is introducing Pirelli and his fringe and hair around the ears keeps changing style all the time.

Continuity: After Ms. Lovett says "Oh, a client", the knife she stabs on the counter and the blob of flour change positions.