Continuity: In the episode "The Man in the Fallout Shelter," Hodgins is talking to Bones and says something about Goodman not being able to see his family and Zach not being able to see his kids. Goodman has kids, Zach was going to visit his family, not the other way around.

Plot hole: At first the victim (Careful Lionel) is described as not returning to pick up his new shirt in November 1958, and possessing love letters dated from 1957 through early winter (November) 1958. Booth reports the fallout shelter where Lionel's body was discovered was sealed in 1958. Later Lionel is described as reported missing by his boss in January 1960, and the illegitimate child he fathered was born in 1960 as well. That would mean his boss didn't notice he was gone for over a year, and his pregnant girlfriend was with child for at least 14 months.

Continuity: At the funeral, Bones places a rose on top of several other roses on the coffin of the murder victim. When the victim's parents approach the coffin to place their rose on it, most of the roses have vanished.

Factual error: In the opening shot of the episode they show a plane landing at an airport, and it say Dulles International Airport on the screen. There is even a nice shot of the US Capitol building in the background, the problem is that Dulles Airport is about 25 miles from Washington, if the shot is real it was filmed at Reagan National Airport.

Character mistake: Senator Bethlehem comments that Bones needs a warrant for the DNA on his chewing gum. She actually doesn't, since it became evidence in public view when he threw it away.

Plot hole: At the scene of the bomb attack, Booth introduces Bones to Department of Homeland Security agent Bennett Gibson. Bones met agent Gibson in a very dramatic way in the previous, pilot episode, where she threw him to the floor after Booth had asked him to detain Bones at the airport.

Continuity: During the scene when Booth and Bones are driving to tell Angela that her boyfriend is dead, the scenery behind Booth jumps suddenly mid shot. Initially the scene is of a wide plain, then suddenly a mountain range appears. This scene was obviously shot on a sound stage, with the scenic background being projected onto screens around the vehicle, an old trick in movie making. It seems that somebody mistimed the loop of the tape they were using.

Continuity: When Bones goes to open the vent on the wall in the mortuary while standing on the coffin, the shot from inside the grate shows her taking a step up and being exactly at head height for it. Only problem is that in the shot previous to this she was significantly short of the grate, and there was nothing on the coffin lid for her to step up onto.

Continuity: At 20:13 into the episode, a bunch of victims are shown on the computer screen. If you read their info, several are from Arlington, Virginia. Booth has been trying to find victims from out of state, but says nothing when these come up on the screen. Shortly after this is shown, Hodgins tells him about a victim in Lynchberg, Virginia. He then takes action as the victim is from out of state. He should've noticed the others.

Continuity: When Angela asks to see the girl's drawing, in the shot from the girl's perspective as she hands the pad over, the painting's quite small in the centre of the page. When it then cuts to Angela's point of view it takes up nearly the whole page.

Other: Hodges and Angie find a piece of paper buried with Bones' mother and they tell Bones that the date of the movie is September 22,1993 when the paper says April 22, 1993.

Revealing: When Bones and Booth are driving in his SUV talking about Abraham in the Bible, you can see that Bones' side window is lowered almost all the way down, but her hair is perfectly still and not being blown around as it normally would be.

Continuity: When Booth and Bones are discussing Helen Majors, Booth gets a phone call and he holds the phone to his left ear with his right hand. In the following shot, he is holding the phone in his left hand.

Continuity: When Angela and Hodges are working out the size of the silhouette on the wall, as Angela says "which I deny", she's got a relatively serious look on her face. We then cut to a shot from the other side of her, and she's suddenly smiling.

Continuity: In the opening scene the victim's right hand is by the car shifter when the bomb explodes, but when Booth and Brennan first get to the van, the right hand is melted onto the steering wheel.