Continuity: When Hawkeye and Trapper are arrested by Hammond at the party there is a large crowd of people behind the General and Henry. When we cut to the shot of Margaret and Frank approaching, there is no-one in sight. (Time)
M*A*S*H (1972) - 23 with pictures
starring Alan Alda, David Ogden Stiers, Loretta Swit, McLean Stevenson, Mike Farrell, Wayne Rogers
Screenshots of mistakes that have been online for less than a year are only visible to members, but the rest are available to everyone. Don't forget to check out the picture of the day, updated daily, and the top 30 screenshots too.
M*A*S*H - The Pilot (series 1)
Requiem for a Lightweight (series 1)
Henry, Please Come Home (series 1)
Continuity: As Henry is receiving his medal, Hawkeye walks up and stands close behind a man who is standing up and two women who are sitting down. The camera angle switches to show Hawkeye talking to Trapper and now they are standing behind two standing women. (Time)
Germ Warfare (series 1)
Continuity: Radar hangs the hammer on the "Out of Order" sign and it is covering the 'of'. When he and Frank walk away the hammer has moved and is covering the 't' (Time)
Edwina (series 1)
Continuity: As Hawkeye and Eddie are going to sit down for lunch, on the table is ketchup, a bowl, pepper and salt. The shot switches to them sat down and the order is now bowl, ketchup, salt and pepper. (Time)
The Ringbanger (series 1)
Continuity: When Frank is trying to examine the Colonel, in some shots Buzz's robe is open and in others it is tied at the waist. (Time)
Continuity: When Radar is slipping the glass of milk into Buzz's tent, we see the outside of the tent and there are no windows. From the inside, the milk is placed on a table that is right under a window. (Time)
Sometimes You Hear the Bullet (series 1)
Continuity: Frank and Margaret are dancing in her tent when Frank's back seizes up; in the subsequent shots sometimes his arms are around her waist and sometimes around her shoulders. (Time)
Dear Dad, Again (series 1)
Continuity: In some shots, Radar's exam questions are in his hand, in others they are tucked under his arm. (Time)
Continuity: When Frank is getting drunk he spills gin down the front of his vest. A few shots later, just before he collapses, it suddenly dries out significantly. (Time)
Sticky Wicket (series 1)
Continuity: At lunch, when Frank is getting his own back against Hawkeye, in the long shots of the table the plate of bread is beside Henry and in the closeups it is in front of Trapper. (Time)
Divided We Stand (series 2)
Continuity: Margaret is shampooing Frank's hair; she raises her foam covered hands to allow him to kiss her. The camera angle changes and her hands are nearly foam-free. (Time)
For the Good of the Outfit (series 2)
Revealing: Frank is shaving; when he bends down to pick up the envelope containing shrapnel fragments, the foam on his face and ear suddenly all dries up. The shot must have needed a lot of takes. (Time)
Kim (series 2)
Continuity: In the first scenes of Kim in the minefield, he is sitting on a big white rock. During the scene where he is rescued by helicopter, he is standing on flat ground and the rock is on the other side of the shot, near Trapper. (Time)
For Want of a Boot (series 2)
Operation Noselift (series 2)
Revealing: When Baker is talking with Father Mulcahy it is clear that Baker's nose is prosthetic. The colour doesn't match as well as it does in other scenes. (Time)
Mail Call (series 2)
Revealing: When the mail arrives in the compound, in daylight, everyone has 3 shadows. (Time)
Officer of the Day (series 3)
Iron Guts Kelly (series 3)
Continuity: The length of the chewing gum hanging from Henry's hat differs between the front and rear shots. (Time)
Private Charles Lamb (series 3)
Continuity: In some shots the Spam lamb has mashed potato eyes and a carrot mouth, in others it has green eyes and no obvious mouth. (Time)



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