Factual error: When animated Giselle begins to sing and brushes her hair, the reflection of her “one true love” is visible in the mirror. Problem is that its image is not reversed in the reflection.

Continuity: After the turtle gives animated Giselle the red rose, she places it on the jacket of her “one true love”. In the following shots, the rose repeatedly disappears and then reappears, particularly in the close-ups.

Continuity: When animated Giselle happily sings and dances, in the shot before she places the red rose on her “one true love”, the room’s round window is behind her. The very large vase with the bouquet of flowers is gone from the shelf beside the window, as are the other objects on the lower shelf.

Continuity: When the animated old hag pushes Giselle into the well, as Giselle begins to transform her only jewelry is a necklace, but when she lands on the manhole cover she is also wearing earrings.

Continuity: After receiving the phone call from Nancy, when Robert and Morgan are talking in the taxi, his seatbelt repeatedly changes from over to under his trench coat collar.

Visible crew/equipment: At the apartment, after Giselle falls asleep on the couch, when Robert says, “Just because she has on a funny dress, doesn’t mean she’s a princess,” and a few shots later, when he stands to call for a taxi, the side of the camera and the boom mic are reflected in the window to Robert‘s right. The boom mic moves in both shots, but the camera moves only in the second. (Only visible on widescreen DVD.)

Continuity: At Katz's deli, when Pip stands on the cup scooping up the ice cube, the fork on the tray is to the right of the blue ticket. When Pip stands on the tray the ticket has moved to the tray's edge, and the fork is now to the ticket's left.

Continuity: At Central Park, when Giselle stops at the park bench and hands Clara the money, the tall black lamppost stands a few feet to Clara's left - between her bench and the next bench. When Giselle and Robert walk away, as she says, "And she was very helpful," Clara's bench is much farther away from that lamppost. Also, note the greater distance between Clara and the bench to her left and the park's signpost at the road's curve.

Other: In his search of Giselle, when Edward knocks on doors 209 (hissing cat), 405 (barking dog), and 714 (strange guy), the funny thing is that in all three close-ups the three door jambs/trim have the same paint glob markings. The actual doors were changed, but the jamb/trim remained the same for all three shots. (Only visible on widescreen DVD.)

Continuity: When Robert gets up in the morning to deal with the pest problem he has facial stubble, but when he gets outside after chasing Nancy in his pyjamas, he is nearly clean shaven. When he goes back to the apartment his heavy stubble is back again.

Continuity: At Bella Notte's, after Robert entertains Giselle with the magic trick, the salt shaker is on the table between them and the pepper shaker is at the opposite end of the table, beside Morgan's plate. When Nathaniel brings the apple martini both shakers are beside Morgan's plate, though nobody touched the salt.

Continuity: When Giselle stands on the livingroom coffee table as she sings, the hutch stands about a foot away from the fireplace mantle behind her. When she tosses the flowers into the vase, which sits upon the fireplace mantle, the hutch is so close that it nearly touches the mantle.

Continuity: When Giselle, Robert and Morgan are at Bella Notte's, on their table the pizza pan sits atop a chrome stand. In some shots the stand has a chrome cross bar, between its side legs at the base, and in other shots that cross bar is gone. (When setting up for the shots within this scene, the props guys simply turned the stand upside-down sometimes, which resulted in the cross bar either being on the table, or directly under the pizza pan thereby disappearing.)