Continuity: When Jimmy is getting ready to propose, in the shot where he pets his dog, you can see in the first shot from in front he is not moving, yet in the next shot he is walking and leaning towards the dog.

Revealing: When Jimmy and War are fighting over the gun near the end of the movie, you can see that many shots are reversed, as the fire behind them is not burning upwards like regular fire, but appears to be "sucking" downwards, back into the barrels.

Continuity: When Lola is caressing Lucifer, between cuts her one hand goes from his hip to his shoulder. There is a cut where she repeats one of the rubbing motions twice soon after.

Revealing: When Jimmy hands the priest the crow, in the closeup it is really the bird, moving around and squawking, but in wide shots, it is a very stiff and motionless doll.

Continuity: After falling down the hill, somehow the refrigerator with Jimmy and Lily's bodies in it goes from floating in the pond, to embedded in the ground straight up.

Revealing: When Death/Satan is killed at the end, you can see the rocks that he is impaled on move with his own body movements, much like prosthetics attached to him.

Continuity: When the priest's wife is following Jimmy's descent with the gun, in some shots she is lowering the gun to match Jimmy's level, and in other shots, it is pointed in one direction, not moving.

Continuity: When Jimmy puts Lily's necklace around the mirror in the hearse, in the first shot he is still extending his arm to reach towards the mirror, yet when the camera cuts, his arm is fully extended.

Revealing: In the beginning, when the miners and Indians are fighting, you can tell they are all pulling punches and trying not to really hurt each other. Some of them even visibly miss punches and kicks by large distances.

Continuity: As Famine is about to pour the gasoline over the priest, in one shot he lifts the canister above his belt-line, but in the next shot, it is suddenly under his belt-line.

Continuity: When Lily is about to have her eyes cut out, Luc goes from facing them in the background to facing away, to facing away with his feat propped up on the window between a series of shots.

Continuity: When Jimmy is being hanged, after he grabs Luc Crash, you can see the position of his hands around Luc changes between several shots.

Other: After rising from the dead, Jimmy's dress shirt is not cut, torn or bloodied despite Lucas stabbing him THEN ripping out his heart prior.

Continuity: Lily's brother leans over to pick up his hat in the beginning, and then in the next shot, he is suddenly standing up with the hat in his hand without having time to do so between shots.

Other: In the opening scenes, when the gang is introduced, one of the members kicks three men and knocks them out, but you can see he misses all of them by at least 6 inches.

Continuity: When Luc Crash is escaping the guards in the beginning, the other prisoners all disappear in a number of shots.

Continuity: When Luc is offering War some of the deviled eggs, you can see that Lola is looking around in one shot, then in the next shot, she is in the background, facing forward, not moving at all.

Continuity: A few shots before Luc blows the match out that he is going to burn the priest with, the position of the priests head changes in one shot.

Continuity: The barrel in the back of Pestilence's truck is leaking badly through a hole when it first pulls up. Then a few moments later, the hole and leak are gone and the truck bed is perfectly dry. Then he kicks the barrel and the same hole reappears.

Revealing: When the hearse driver slams the brakes, in the next shot, it is obvious the car was already stopped and just shaken from off camera to make it look as though it stopped. No car can brake that fast.