Factual error: When Dave is at the Yankee game and he is telling Linda he wants to marry her from the field, it is impossible for his voice to ring throughout the whole stadium without a microphone (even though it echoes as if he were using one.). Similarly, he wouldn't have been able to hear Linda when she shouts "I'm over here."

Visible crew/equipment: In the scene after the huge fight with the Buddists, Jack Nicholson speeds off in his Land Rover and cuts into traffic to get away from the monastary. If you look three cars back there is a state trooper weeving through both lanes to make sure the set is closed. He stays visable throughout the scene.

Continuity: When Jack speeds out into the road in the Land Rover, there are several cars in the background. However, in the next immediate shot, when we look out the back window, there are completely different cars behind them.

Revealing: In the scene where Jack and Adam are in bed together, after Jack's "flatulent" moment, Adam tries to keep from laughing while answering Jack's question. The blanket covering Adam's face is obviously covering up an hysterical set moment.

Factual error: After the Yankee game when Adam Sandler and Marisa Tomei are going home via the subway, they show Yankee Stadium in the background and they are standing on the platform further away from the stadium. If they live in Brooklyn, they should be on the platform closer to the stadium as that is the one that is south bound towards Manhattan and Brooklyn. The one they are on goes north. Why would they be going north away from home at that hour?

Continuity: When Buddy and Dave are on the bridge singing, when Buddy has the papers they are held together with a paper clip. In one shot when Dave has the papers, they are held with a staple.

Continuity: After the fury fighters' meeting with John McEnroe Dave asks Buddy to talk to him in private. The go into the multi-purpose hall of the community center which has a stage on one side. In all wide shots and one close-up we see them talking in front of the stage, in all other close-ups in front of an inscription on the wall which is about 20 meters away.

Continuity: After their encounter with the monks, Buddy and Dave speed off and come out onto a road. The first shot sees the whole car come onto the road, where there is a double unbroken line in the middle of it. The shot changes to Buddy and Dave in the car. Watch through the back windshield. The double unbroken line has turned into a single, broken line.

Continuity: As Adam Sandler goes down the courthouse steps after his third trip to court, the same red headed woman passes him twice.

Continuity: When Dave lets his lawyer hear what went on in the car, things that were said have been shortened and shuffled around.

Continuity: In the night after the first fury fighters' meeting Dave and Chuck sit in a bar. When Dave says that he wants to go back Chuck's cigarette is in his mouth. When the camera angle changes it's in his hand. A little later, when Chuck memorizes the chicks in the war frying his banana the hand with the cigarette changes from hanging down to pointing up in mid-sentence.

Continuity: When Dave first meets his 'group', just after Stacy and Gina kiss, one of the group members is shown wearing an Iverson headband. A few seconds later as the camera pans back to him, the headband is backwards.

Continuity: When Buddy and Dave drive to work Buddy pulls the brake on the bridge. Through the rear window you see cars skidding and jamming up right behind them. Then comes an areal shot where there are just two cars braking at a distance, but when it cuts back to the view from the front the jam is back.

Continuity: In the beginning of the film, it shows Dave as a child and according to the film it is Brooklyn 1978. Dave is wearing a Dukes of Hazzard t-shirt, but that show didn't debut untill 1979.

Continuity: When David is at his first anger management meeting, Lou is wearing a black shirt that sometimes covers his stomach and sometimes does not, riding up and down depending on the shot.

Continuity: When Dave is assigned his anger ally, Chuck, look at the paper in Chuck's pocket. In the first few close ups, the paper in his pocket that is poking out shows no writing. Then eventually the paper has a symbol on it

Continuity: At the beginning of the movie when Adam Sandler is about to get on the plane they do a couple of close ups of his face. Whenever they cut to something else and then come back to his face his sideburns are shorter. This happens a couple of times in this scene.

Continuity: In the scene where Adam Sandler is outside on the phone with his lawyer and the NYC is in the background, the boat wake disappears and reappears in the shadow of the bridge.

Revealing: When David's car does the little jump while driving to the Yankee's game, you can see that it is a stunt driver driving, not Adam Sandler. This is most obvious when the light hits his face for a second.

Factual error: At the beginning when Dave's boss hangs up on him Dave's mobile phone produces a dial tone. Mobile phones don't have that feature.